And yet Bad Bunny is arguably the most overtly political artist booked for the halftime spot. Martínez Ocasio has consistently used his music to speak out on a range of political and social issues, particularly those affecting Puerto Rico and other marginalized communities. His 2018 hit “Estamos Bien” became an anthem of resilience in the wake of Hurricane María, subtly addressing the U.S. government’s neglect of Puerto Rico during the crisis. In 2019, he released “Afilando los Cuchillos” alongside Residente and iLe, a diss track aimed at then-Governor of Puerto Rico Ricardo Rosselló after the leak of offensive Telegram chats. The song quickly became the unofficial soundtrack of the mass protests that ousted Rosselló, and Bad Bunny even paused his European tour to join demonstrators in the streets of Viejo San Juan. In 2020, amid the George Floyd protests and the global rise of the Black Lives Matter movement, he released “Compositor del Año,” a spoken-word piece that condemned anti-Black police violence and U.S. racial hypocrisy, stating: “A Black man with a gun is a criminal, but if he’s white, it’s a hobby.”